Gone are the days when I would chuck my clothes in the washing machine on a standard 40-degree setting and hope for the best – since I’ve been making my own garments, I’m far more… More
I’m back! Not sure how it happened, but it’s been 3 months since my last post. It’s really easy not to blog, isn’t it? Anyway, I’ve got a couple of finished makes to share with you soon, but for now I’m talking skincare.
I’ve had every skin problem in the book – spots, dry patches, sensitivity, redness – and over the years I’ve tried about a million products. Some of them worked, some of them didn’t (and some of them gave me an allergic reaction), and lots sort-of-worked, but not quite enough to justify re-buying. My latest try-it-and-see purchase, though, is definitely one I’ll be purchasing again.
My skin was the best it’s ever been when I was using an organic face oil (I also happened to be 21 at the time, but let’s not dwell too much on that). No spots, no redness, no dry bits. Unfortunately, though, that particular brand no longer exists (yes, it was that long ago) and I’ve since tried a few disappointing oils that just haven’t lived up to that first one.
Still with that first miracle face oil in my mind, I decided to give it one more go and added a bottle of A’kin rosehip oil to my basket at Holland & Barrett (not an affiliate link/ad – I just shop there all the time). I wasn’t expecting much, to be honest, but after a couple of weeks of using it, it really has worked a treat. The redness has calmed down a lot, my skin feels more hydrated and, to me at least, it looks noticably better – so much so that I’ve even gone outside into the big wide world make-up free and didn’t feel like a blotchy, spotty mess.
I’m not going to lie – because this is a natural product with no fragrances added, the smell is a little, erm, weird. Not get-this-stuff-off-my-face-now-horrible, just a bit unusual. But I got used to it after a few days and now don’t really notice it at all.
Despite being an oil, it’s not too greasy and works well with other products – I like to wear it at night, along with a tiny bit of my usual Sanctuary Spa night cream (again, not an affiliate link), to give it time to sink into my skin, but it’s great under make-up, too – just make sure you only use a small drop.
I’ve read that rosehip oil has anti-ageing benefits, but obviously only time will tell with that one (perhaps I’ll do a follow-up post in ten years’ time). It has helped with a few annoying skin issues, though, so is a winner with me (and means I’ll happily overlook that slightly odd aroma…).
When I started sewing, I didn’t think too much about the longevity of the garments I was making; I never considered whether I’d want to wear them in a year’s time, a few years’ time, or even a month’s time – I just made them for the fun of it.
Which is, of course, totally fine (we sew because it’s fun, right?), but taking this unplanned approach meant that I ended up with a wardrobe full of me-mades that didn’t go together, didn’t particularly fit my style or life, and therefore didn’t get worn very often. Not great after spending hours at my sewing machine stitching them.
So, inspired by this post by Heather at Closet Case Patterns and this post from Randomly Happy, I’ve put together a moodboard of my favourite prints and styles for spring and summer to make sure I don’t get distracted by all the fabric prettiness and sew something I’ll never wear (no promises, though).
Oh, how I wish my wardrobe looked like this moodboard (come to think of it, I wish I looked like the ladies in this moodboard).
Although these styles aren’t exactly what I would wear (the top left image is too strappy and revealing for me, and the top right image is a bit too, erm, babygro for my liking, although I can imagine it looking amazing on someone taller), there are a few elements I’d like to steal:
- Square and boat necklines.
- Boxy, loose-fit silhouettes.
- Mid-length, floaty skirts.
- Statement sleeves (along with everyone else in the world at the moment).
I’ll be starting with the Tilly Dominique skirt I began making last summer and never finished in a crepe (see below for deets) from FC Fabric Studio (all I need now is a stripey top, a tan, and much, much longer legs, and I’ll be well on my way to looking like the gal in image 3…).
And, because I can’t possibly sew everything, I’ll also be on the lookout for vintage denim pieces and a new wear-with-everything biker jacket.
To make sure I’ll want to wear my me-mades for a long time to come, I’ll be sewing them up in classic stripes, plains in quality fabrics, and modern, graphic prints (which I don’t think I’ll ever get bored of).
Not the most summery fabrics I’ll admit, but I’ve come to realise that brights and florals just aren’t really my thing. Plus, my summer wardrobe is basically my winter wardrobe without tights and layers, so I like to make things I can wear all year round (rather than only on the few sunny days we get here in the UK).
I’m going to try to sew from my sizeable stash as much as possible, so I’m hoping to finally get this rust crepe from FC Fabric Studio (image 1), stripe double jersey from Montreaux Fabrics (image 2) and grid print from Fabrics Galore (image 3) made up into garments (I’ve had them in my stash for MONTHS and I’d very much like to wear them now, please).
Having said that, I am currently lusting after this gorgeous hand-woven ikat from Offset Warehouse (image 4), so I might just have to make an exception and treat myself to a couple of metres.
So, now I have my moodboard sorted. All I have to do now is sew everything before the British summer is over. Which probably gives me about 4 days…
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A big part of learning to sew is making mistakes, getting the unpicker out and starting again – and you’ll still need to keep that unpicker handy whether you’ve been sewing for ten months or ten years, as there are always new skills to learn (and fail at).
We sewists are a tough bunch, though, and however many times we have a #sewingfail, our obsession with stitching never falters. So, to celebrate resilience in the face of wonky seams, I’m sharing a few of my embarrassing newbie mistakes. Here’s to getting it wrong, and trying again!1. Using the incorrect needle for the job. I didn’t really know that different machine needle types were a thing when I first started sewing, which, as I’m sure you can imagine, led to lots of snapped needles, a few ruined fabrics and a whole lot of frustration. Sewing through layers of denim with a universal needle is not a good idea, FYI. For your safety and sanity, stock up on lots of different machine needle types and thicknesses and change your needle regularly.
2. Picking the wrong fabric. Matching the right pattern to the right fabric is a skill, and, while I still don’t always get it spot on, I’d like to think I’m much better at it than I used to be. My Colette Taffy blouse is a case in point – the pattern is meant for floaty chiffon, but, newbie stitcher that I was, I decided to make it in a beautiful paisley print cotton with very little drape.
I loved the sewing pattern, I loved the fabric, but just not together. Although I was proud of it at the time (I think it was only my third or fourth finished garment), it ended up unworn at the back of my wardrobe and I’ve since given it to the charity shop. The moral of this sad story is: use the pattern’s suggested fabrics until you feel more confident with your fabric know-how.
3. Ignoring notches and other pattern markings. It seems I was, shall we say, an over-confident (read: cocky) beginner sewist, as I basically ignored all notches and winged it for my first few sewing projects – to quote a certain pirate film, I thought notches were guidelines for people who have no idea what they are doing. Which, ironically, was me. And then I wondered why I ended up sewing the wrong pattern pieces together. Notches and pattern markings are there for a reason. They are your friends. Don’t ignore them!
4. Not checking my measurements. For my first couple of projects, I chose my pattern sizing based on the clothing size I usually am in high street shops – which, given the high street’s penchant for inconsistent sizing, is just asking for trouble. Just like the high street shops, each pattern brand will draft their designs using a different block, so you may find that the size you need to cut out often varies – you may even need to grade between sizes for a perfect fit. Always check the size chart against your measurements before you cut out your pattern, even if it’s a pattern brand you’ve used before, as sizing can vary within brands – I also find it useful to measure the pattern itself, too. Eventually, you may even find the sewing holy grail: a pattern brand that fits your measurements to a tee (mine is Tilly and the Buttons. Hurrah!).5. Not pressing enough. In a similar fashion to my flagrant disregard for notches, I just couldn’t understand what the big deal was about pressing. It seemed so boring to spend my precious sewing time pressing seams. And what difference does it make anyway? Erm, quite a bit, actually. I have learned this the hard way, with finished projects that look far from professional with bulky unpressed seams and hems. Plus, pressing is actually strangely satisfying to do (just make sure you use a pressing cloth on delicate fabrics – learned that the hard way, too).
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Happy New Year all! I’m not usually one for making New Year’s resolutions, but, as I’ll be reaching the big 3-0 this year (eek!), I think making more of an effort with skincare might be one of mine for 2017.
I’ve never been ultra fussy when it comes to choosing skincare products – usually my only criteria is that they have to be natural, or at least contain some natural ingredients, and free from parabens and other nasties. So I was intrigued to find out more about a new-to-me brand called iS Clinical, a cosmeceutical skincare line that uses pharmaceutical-grade botanical ingredients, at a blogger event held at Bristol’s S-Thetics Clinic in Queen Square at the end of last year. Continue reading “New year, new skincare”
Sometimes it seems like the sewists I follow on social media have a secret magic watch that stops time so they can sew up a whole wardrobe of amazing dresses before breakfast, then skip off to work and get on with the rest of their day (wearing an amazing handmade dress from said wardrobe, obvs).
And then there’s me, just about managing to make a simple stripe tee over the course of a couple of weeks, snatching 20-30 minutes of sewing time here and there. I don’t even count myself as particularly busy, but somehow time just speeds by and I realise that the ‘quick project’ I’ve been working on has taken me over a month to complete. In fact, one such quick project, the Tilly Dominique skirt I started making at the end of summer from a lovely rust-coloured crepe from FC Fabric Studio, will probably have to wait until next spring to be finished as winter has well and truly arrived. Sob. Continue reading “Winter sewing shortlist”